Hello all,
The Society for East Asian Anthropology’s (SEAA) column in Anthropology News is excited to invite abstract submissions for this quarter’s theme, “Signal/Noise.” As a section of Anthropology News (the American Anthropological Association’s member magazine), we select pieces to be published on its online forum, corresponding to themes chosen by AN as well as critical concerns of East Asia studies.
General CfP by Anthropology News (Full description available here)
We are looking for stories about how communities, cultures, and individuals distinguish meaningful patterns from background noise, interpret disruptions, and find (dis)connection amid interference. What counts as signal versus noise, and who gets to decide? How are fuzzy boundaries clarified or precarious structures disrupted? What happens when communication is both necessary and fraught, or what makes messages shared or misconstrued?
At SEAA, we are particularly interested in soliciting a piece that uses “Signal/Noise” as a lens to examine social, cultural, economic, and political processes in East Asia. We invite submissions that explore questions such as:
What insights can the duality of signal/noise (with its original or metaphorical meanings) provide to think through (mis)communication and (dis)connection within soundscapes, communities, structures, and activities in East Asia?
How can the reality and representation of “signal/noise” in East Asia help us revitalize such longstanding anthropological concepts as voice, dialogue, boundary, intervention, rapport, and distinction, among others?
How can the lens of “signal/noise” inspire us to rethink ethnographic approaches in East Asia as a particular site?
Submissions, targeted toward a general audience, can take the form of a short essay (up to 1,600 words and 3 images) or a photo essay (up to 750 words and 8 images). We invite contributions from scholars who are involved with a broad range of ethnographic methods, from archival to digital, in-person, and remote fieldwork. We highly encourage you to visit the Anthropology News website to get a sense of its accessible, jargon-free, and storytelling-based pieces. If you are interested in working with us, please send your 250-word abstract to co-editors Alex Wolff (alex_wolff@brown.edu) and Yanping Ni (yn4683@princeton.edu) by March 12th, 2025. For a photo essay, please also include 2-3 sample images. Decisions will be made one week after the due date.
The selected piece will go through one or two rounds of edits with section editors, and will be published in Anthropology News in September 2025. Although we are only able to accept one piece per quarter, we cherish every submission and will keep excellent abstract proposals in mind for future themes to come.
Anthropology News boasts a readership of about 25,000 unique views per month, providing a significant platform for your work to reach a wide audience. We publish articles from members that address contemporary issues with original ethnographic research. Scholars of all stages currently possessing or anticipating SEAA membership are encouraged to participate. To learn more about what we publish, please check out previous articles here.
Sincerely,
Yanping & Alex
SEAA Highlights from the 2024 Business Meeting
Society for East Asian Anthropology
Jieun Cho and Aaron Su
January 10, 2025
On November 21, 2024, SEAA members gathered in Tampa for our annual Business Meeting, where the Board and section members reviewed this year’s activities, announced new board members, and awarded book and paper prizes.
Francis L.K. Hsu Book Prize
Committee Members: Christine Yano (chair), Susan Brownell, Ellen Oxfeld, Hyang Jin Jung, and Heather Anne Swanson (2023 prize winner)
Winner
Borderland Dreams: The Transnational Lives of Korean Chinese Workers by June Hee Kwon (Duke University Press)
Kwon’s book richly weaves the multidirectional, multilayered, multivocal stories of Korean Chinese migrant workers as they move restlessly between regions, countries, and households in pursuit of dreams of a better life. Those dreams carry the precarity of borderlands in clashing claims to a future of in-betweenness. Migrants often enter South Korea in low-end, dangerous and difficult manual jobs with precarious legal status. Their family relations suffer as they are away for long periods of time, all in the hopes of bettering their futures. The author beautifully renders everything from the personal lives and tribulations of migrants to the way these are impacted by larger structural changes
Importantly, the book situates ethnic migrations within the larger context of transformations in and through East Asia. The author renders macro and micro perspectives through three interactive lenses: 1) ethnicized bodies; 2) transnational money (remittances), and 3) transnational time (waiting). Based on Chinese, Korean, and European language sources and on close fieldwork in multiple places, Kwon’s account traces multiplex tales that are both open-ended and circumscribed within political, economic, and regional structures.
Borderland Dreams makes a wonderful contribution to the literature on migration and borderlands, especially since much of the existing literature often focuses on the global south with respect to North America or Europe. Kwon ably demonstrates not only the cogency, but the necessity, of placing global mobilities at the center of our consideration. This work exemplifies where, how, and why Global Asias matters: as a frame for this elegant ethnography, it yields the yearnings, instabilities, and intimacies constituting borderland dreams.
Honorable Mentions
The Space of Religion: Temple, State, and Buddhist Communities in Modern China by Yoshiko Ashiwa and David L. Wank (Columbia University Press)
This magisterial work is based on over thirty years of fieldwork, archival research, and interviews in a Buddhist temple in Xiamen, Fujian, China. The “space” of religion refers to physical, institutional, and semiotic space, all of which are illuminated in rich detail. The authors consider the networks that bind this temple to other local temples, to the local population, to diaspora communities, and to the state. It is based on an impressive ethnography of worshippers, monks, lay monks, state personnel, and many others. Readers will come away with a better understanding of the multitude of ways the practice of Buddhism has changed from pre-liberation times to its suppression during the Cultural Revolution, to its revival in the reform period, and ultimately (to some degree), its transformation into a form of “culture” denuded of its religious underpinnings during the Xi Jinping era.
David Plath Media Prize
Committee Members: Beata Świtek (chair), Nan Kim, and Yi Wu
Winner
Beneath the Rubber Trees. Directed by Song Qu
This outstanding ethnographic film offers an intimate portrait of the Jinuo people by exploring the lifeworld that surrounds rubber tapping in the mountainous areas of Xishuangbanna in Yunnan, China. Since the early 1950s the cultivation of rubber trees and harvesting of rubber have been a major economic pillar among the Jinuo, China’s most recently recognized ethnic minority. Bookended by breathtaking sequences that both speak to the natural beauty of this region and its ongoing transformation, the film is otherwise a closely observed visual ethnography that moves seamlessly between scales: from the methodical rhythms of rubber tapping to the vibrant expressions of cultural festivities, from the intimate spaces of family life to the broader canvas of community celebrations. Positioning the Jinuo vis á vis the state and development in the post-Mao reform era, the film builds upon the attentive explorations of the lives of the main characters, the He family. Their experiences are situated in a wider setting where villagers strive to navigate rapidly changing and precarious economic circumstances while also negotiating their Jinuo identity during a time of intense commercialization and marketization. This film invites a reflection upon the implications of development for ethnic groups who rely heavily on local environmental resources and have been confronted with the disruptions and uncertainties posed by economic as well as touristic development. The film provides a nuanced teaching resource for discussions about labor, identity, political ecology, and the complex dynamics of development in rural China.
Japani. Directed by Dipesh Kharel and Asami Saito
This highly accomplished multi-sited ethnographic film documents the lives of Nepalis who have migrated to work in Japan as well as the lives of their family members—particularly the children—they left behind. The film begins with documentary footage and candid interviews shot in the agrarian villages and at newly built schools of rural mountainous Nepal, then later shifts to apartment complexes and street scenes in urban Japan. A primary storyline in the film follows members of an extended family in these juxtaposed sites, framed by reflections on perceptions of monetary value and the emotional toll of family separation as experienced in both places. Taken together, the film explores the paradoxes and complexities of global migration through personal stories, including dilemmas that are at once intimate and transnational, as faced by family members among a community in diaspora. While building upon the filmmakers’ earlier film Playing with Nan (2013), which won the 2014 Plath Award, Japani represents an excellent resource for teaching about globalization, labor migration, parenting, kinship, and family.
She is Still Waiting for an Apology. Directed by Hong Xiaoxin
This poignant and deeply moving documentary focuses on Luo Shanxue and Wang Zhifeng, who are a generation apart but are both victims of the system of sexual slavery imposed by the imperial Japanese army during WWII in China. Luo Shanxue is the only descendant of a ‘comfort woman’ who is openly public about his identity in China, and the film initially reflects on Luo’s life shaped by stigma. In 1944, his mother Wei Shaolan gave birth to him after escaping from a Japanese comfort station, and for more than 70 years, he and his mother depended on each other, until her death in 2019. The film later bears witness to the life of Wang Zhifeng as a survivor who has long advocated for fellow victims to attain justice and who is among the eldest of activists engaged in the struggle to secure an official apology from the Japanese government. By documenting these survivors’ final years, the film provides an invaluable historical record of the legacies of wartime sexual slavery and is an essential contribution to the understanding of historical trauma and its reverberations across generations.
2024 Outstanding Graduate Student Paper Prize
Committee Members: Zachary Howlett (chair), Xinyu Guan, Kunisuke Hirano, and Claudia Huang
Winner
“Afterlife of Closure: Victimhood and Redress after Toxic Exposure in Japan” by Shoko Yamada (Department of Anthropology, Yale University)
Dr. Yamada’s critical historical perspective and long-term ethnographic lens shed new light on the politics of redress, innovatively approaching them through the lens of performativity and situating them within the larger context of post-War memory. In this way, Yamada’s work unpacks the complex aftermath of chronic illness and settlement agreements in the wake of toxic exposure from industrial pollution in the Jinzū river basin in Toyoma, Japan. Using sensitive ethnography and gripping prose, she demonstrates how so-called closures and settlements dramatize the tension between irreparable injury and the performance of finality. Her piece delivers a fresh and eye-opening argument about how such closure can become a potent ground for future redressive work, enabling people to unsettle dominant notions of victimhood and re-imagine redress.
Honorable Mention
“The (Im)possibility of Indigenous Politics: Collaborative Medical Design and the Limits of Settler Democracy in Taiwan” by Aaron Su (Department of Anthropology, Princeton University)
Dr. Su’s work advances critical discussions on settler colonialism and Indigenous politics, sovereignty, and refusal. Chronicling the way that an Indigenous Amis community in Taiwan engages with settler-state initiatives to improve public health through community-based participatory design, Su’s paper illuminates the tensions between Amis participants’ usage of these arrangements to pursue revitalization and settler-state bureaucrats’ claiming of these occasions as collaborative successes. Artfully integrating ethnography and theory, he highlights the blurring of the lines between the possibility and impossibility of Indigenous politics. In so doing, his piece makes a compelling and thought-provoking argument for the urgency of strategizing and theorizing beyond the binaries of assimilation and transcendence in articulating an Indigenous politics for the contemporary moment.
New Board Members and Anthropology News Column Updates
We also said goodbye to several outgoing members: Teresa Kuan (Secretary), Beata Switek (Councilor), Zachary Howlett (Councilor), Sojung Kim (Student Councilor), Jieun Cho (SEAA Column Editor), and Aaron Su (SEAA Column Editor). We welcomed a cohort of new members as well: Hyang Jin Jung (Incoming President), Edward Pulford (Secretary), Lynne Nakano (Councilor), Lihong Shi (Councilor), David Kok Kwan Tsoi (Student Councilor), Yanping Ni (SEAA Column Editor), and Alex Wolff (SEAA Column Editor).
Thank you to all of these members for volunteering their time and energy to keep SEAA a thriving forum for intellectual exchange! We also thank Guven Witteveen, who has deftly overseen SEAA’s Digital Communications.
Jieun Cho was an editor for the SEAA section news column from 2021-24 and was a Postdoctoral Associate at the Asian/Pacific Studies Institute at Duke University. Her research investigates how middle-class families navigate the challenges of raising healthy children amidst the uncertainties of radiation risk in the wake of the 2011 Fukushima Daiichi nuclear disaster in Japan.
Aaron Su was an editor for the SEAA section news column from 2021-24. He is a PhD candidate in Anthropology at Princeton University writing up his dissertation on how new participatory design movements are transforming fields as far-flung as healthcare, environmental remediation, and Indigenous politics in Taiwan.
Practicing Self-Care Beyond Self
Society for East Asian Anthropology
By Jung Eun Kwon
December 27, 2024
It was a beautiful day in October 2022, and the leaves were turning vibrant shades of red and yellow. I was interviewing Yuna (all names in this article are pseudonyms), one of my interlocutors for my research on suicidality—including suicidal thoughts, plans, and attempts—among young South Korean women in their twenties and thirties. Yuna, a 34-year-old woman, had been experiencing suicidal thoughts since she was around 13 and had attempted suicide multiple times since the age of 21. Throughout our conversation, I noticed that she kept glancing around the coffee shop and asked to use the restroom several times within the hour and a half we were talking. I felt a sense of concern for her, and my initial instinct was to think that I could or should help her in some way. However, what Yuna said next completely shifted my perspective.
“Usually [for me], an intense suicidal thought lasts about 15 minutes or so, no more than an hour, or it ends within 3 hours at the longest. But in the meantime, with the right intervention, you can get through it. So, I have an automatically-run protocol [created and implemented by myself]—for example, I call a suicide prevention center, and after receiving the consultation, I wait a few minutes. If the suicidal thought is still severe, I just call an ambulance [to stop myself from attempting suicide].”
An SOS suicide prevention hotline phone on a bridge in South Korea, providing help for those in crisis. This phone was not used by Yuna during her experience of crisis. Credit: Jung Eun Kwon
Her self-analysis and the creation of her own “protocol” by strategically using institutional care services left me in awe. It led me to reflect on my own assumption that I needed to help her, an assumption partly influenced by South Korea’s broader social discourse on mental illness and suicide. In South Korea (hereafter Korea), mental illness has increasingly been viewed as a psychiatric disorder that requires medical treatment, and suicidality is largely seen as an unusual condition caused primarily by depression. This framework, which stems from disciplines such as psychiatry and psychology, positions people experiencing suicidality as patients or objects of intervention, reducing them to passive recipients of care.
Since the late 1990s, Korea’s suicide rate has risen significantly, ranking among the highest globally since the early 2000s. Although young women do not have the highest suicide rate, their suicidality has sharply increased since the 2010s, in contrast to other demographic trends. In response, the Korean government launched a national suicide prevention project to expand access to psychological and psychiatric support, framing suicide, particularly for women, as a result of ‘mental difficulty” (jeongsinjeok eoryeoum). This view individualizes the issue, also overlooking the creative and diverse care practices these individuals use to manage their suicidality.
The Infographic of 2022 Suicide Motives by Gender and Age Group in South Korea. Data Source: 2024 White Paper on Suicide Prevention (Ministry of Health and Welfare, 2024). Credit: South Korea Ministry of Health and Welfare
However, Yuna’s skillful management of her own mental health made me wonder: Is Yuna uniquely skilled at taking care of herself? Or might others who experience suicidality also be this adept at self-care? If so, what do their care practices look like? As I tried to answer these questions, my interlocutors’ various care practices came to my mind.Although most of my interlocutors had received institutional care, such as medication and psychotherapy, they were dissatisfied with these disciplines’ focus on individualizing their experiences. Thus, my interlocutors’ self-care practices tended to stretch toward communal practices, extending attention to society and their roles within it.
Creative Care Practices
I regularly asked the question, “How do you take care of yourself in your everyday life?” during the interviews to explore my young women interlocutors’ care practices, and I was often met with creative and unexpected responses. What impressed me was how these women expanded the boundaries of (self-)care, diverging from institutional care, which emphasizes paying attention to one’s inner self and emotions, as seen in psychology, or to biological factors, as seen in psychiatry. Institutional care often guides individuals to immerse their attention inward, rather than allowing them to explore sociocultural factors beyond their family. Rather, their practices pushed these narrow boundaries, allowing them to reflect on themselves concerning broader social issues prevalent in Korea, such as socioeconomic inequality, discrimination, and marginalized others.
Da-In, a 28-year-old woman working at a small company and living with her mother, offered one such example.She had been writing fantasy novels since high school, a practice she began after experiencing her first suicidal thoughts at 11 and attempting suicide at 14. Initially, she started with short stories, but over time, her narratives expanded into longer works. By the time of our interview, she had completed multi-book-length fantasy novels. She hinted at the pride she felt in her lengthy writing and spoke of her love for writing novels. When I asked her what aspects of writing fantasy novels drew her in, she said it was the ability to create a better world that she hopes to see.
“First of all, [in the fictional world,] the gap between rich and poor is extremely small, there is no discrimination at all, no unreasonable things happen. [People from] this world goes around to civilize other worlds [where the gap is wider, and discrimination and unreasonable things pervade].”
I realized that the setting of her novel both reflected and subverted the difficulties she faced as a teenager. Earlier in the interview, she had spoken at length about her family’s lower economic status, which caused her significant distress during her adolescence. She also mentioned that her classmates disliked her because she was considered “weird or peculiar” for enjoying philosophical books and showing herself off with those books, leaving her isolated most of the time. My interlocutors were deemed unusual in that they desired different paths from what is considered “normal” tracks of life in Korean society. As students, for example, the focus should be on getting into an elite college, then securing a high-paying job with tenure. As daughters, they are expected to obey their patriarchal parents and aim for heteronormative relationships and families to reproduce middle- or upper-class status. The continuous norms and roles imposed throughout their lives contributed to many of my interlocutors’ suicidality, as did the exclusion they experienced when veering from these prescribed paths.
Graffiti reading “Talchul (escape, in Korean)” and “Suicide” on a construction wall in front of high-rise apartments. Credit: Jung Eun Kwon
Against this backdrop, Da-In was flipping the script through her novel on the circumstances that had caused her pain and the prevailing norms, aiming for a society characterized by equality and the absence of discrimination.Imagining and bringing to life a society she hoped to inhabit within the pages of her story brought her a sense of joy and healing. This creative self-care practice reminded me of what Da-In and my other interlocutors commonly shared with me regarding institutional care: they believed it disregarded social issues and did not question social norms, which, in fact, caused their suicidality. Although institutional care was partially helpful to continue their everyday lives through medication and temporary emotional uplift, it could not address their fundamental factors of suffering. In this vein, Da-In was turning toward seeking alternatives that gave her hope, and she was trying to raise her voice through her novel.
Yoobin and Misun, whom I met through a support group meeting, had also been practicing an unexpected kind of self-care. Yoobin, a 32-year-old woman, was a freelancer relying on unemployment benefits at the time, having previously worked as a designer for a startup NGO. Misun, a 36-year-old woman, worked full-time as a support worker for the visually disabled. At the beginning of the group interview with both Yoobin and Misun, they commonly talked about how broader social issues—specifically mentioning the Russia-Ukraine War and climate crisis—were vividly embodied in their suffering, making them feel powerless and their lives useless. They expressed having developed a “deeply rooted distrust against this world” by observing a series of disasters, both far and near.
When I asked them what they do for self-care, their answer first took me by surprise: volunteering. Their response sounded paradoxical to me because I had specifically asked about self-care, not care for others. However, I came to understand their motivations for volunteering as driven by both their own well-being and care for others, especially in light of their discussions about social issues and feelings of powerlessness. Against these feelings, Misun wanted to “feel a sense of accomplishment in this really harsh and unfortunate world,” to feel that she was at least helping others. Yoobin also stated that she is “quite selfish about” volunteering in a similar vein. Rather than being self-absorbed in their emotions and situations, as institutional care often recommends, they directed their attention outward, searching for their space to connect with others, thereby expanding self-care to include care for others and society. In doing so, they situated themselves within a broader world, seeking to contribute to a more livable society.Shedding light on these creative care practices from “suicidal” women shifts our focus from viewing these individuals purely through the lens of their suffering towards recognizing their unique capabilities and resourcefulness. In other words, we realize their active roles in shaping their own well-being rather than viewing them as passive recipients of institutional treatment. This recognition also challenges the narrow boundaries of institutional care, which urges attention inward. In contrast, my interlocutors’ practices of care are oriented not only inward but outward, expanding the meaning of self-care by situating themselves within broader worlds and seeking their roles within it. Similar to Black feminists’ radical perspectives on self-care as a tool for social justice, their care practices encourage us to rethink both self-care and institutional care, emphasizing the need to go beyond self-absorption and foster social connections and collective efforts.
Aaron Su and Jieun Cho are the section contributing editors for the Society for East Asian Anthropology.
The Moral Complexities of Delegate Children in Aging China
Society for East Asian Anthropology
By Fei Yuan
December 18, 2024
What does it entail for care practices when non-affiliated strangers manage your property and make critical “life-matter” decisions on your behalf? Known as “delegate children,” these legal guardians fill gaps left by the state welfare system while navigating complex moral dilemmas.
Performing Care as a “Delegate Child”
It was a snowy day in late December 2022 when I accompanied Xiao Zhang on her visit to a nursing home in the Jing-Jin-Ji region of northern China. It had been a month since her client, Granny Shi, moved into the facility. A steelworker who entered the factory at eighteen, Granny Shi was highly regarded for her mechanic skills. After her child’s death, she became one of the “elders who lost their single child (shidu laoren),” overwhelmed by the pressing concern of her late-life care. As an employee at a social guardianship organization, Xiao Zhang performs the role of “delegate children” (daili ernv) to Granny Shi. In China’s legal service market, “delegate children” is a new profession. Although “legal guardians” is the more formal term, staff members at the civil guardian organization often identify themselves as “delegate children”. This label underscores the surrogate care they provide, which is akin to the support traditionally expected from biological children. In this article, I explore the divergent perceptions and expectations surrounding care duties held by elders and their guardians. Elder care is becoming a key venue for the contestations of post-socialist China’s care regime, where market-driven care models are increasingly displacing the extensive welfare benefits once guaranteed by the work unit (dan wei) system, all occurring within a legal context that heavily favors familial rights.
China is facing a critical eldercare crisis driven by a rapidly growing aging population, shrinking family sizes, and exorbitant costs of private eldercare facilities and assisted care. The repercussions of the one-child policy are profoundly evident, as it has left numerous elderly caught in a critical predicament: they struggle to access necessary care because of the lack of a family member to act as a guarantor for authorizing their hospital and institutionalized care admissions and to make medical care decisions on their behalf. Many of my interlocutors refer to this situation as a “dead end” or “impasse.”
In Granny Shi’s case, she wished to spend her remaining years in a nursing home. However, admission to such facilities requires the signature of a relative, preferably biological children. After four years of fruitless searching for a guardian, Granny Shi left her steel city home and relocated to the Jing-Jin-Ji region. This decision was prompted by the discovery of a newly founded social guardianship organization specifically designed to resolve these childless elders’ dilemmas. At the beginning of today’s visit, Xiao Zhang showed Granny Shi a list of tasks to accomplish. She accompanied Granny Shi to a nearby bank to make payments to the notary office. They then stopped by a grocery store to shop for the daily necessities Granny Shi needed at the facility. Xiao Zhang reminded Granny Shi to buy winter gloves and offered to bring a thermos from home to avoid unnecessary expenses. On the way back to the nursing home, Xiao Zhang held Granny Shi’s hands tightly, guiding her on the icy paths. These acts and gestures underscore the informal, interpersonal facets of care that are not encapsulated by the formal legal duties of guardianship.
The 2021 Civil Code introduced multiple new articles on adult guardianship, including the provision for individuals to select their guardians when fully capable. However, the government policies fail to outline practical measures, leaving a gap in the market for exploring professional standards. During my 2023 fieldwork in China, I observed various entities—including law firms, notary offices, legal service companies, nursing homes, and household management services—attempting to fill this void. The social organization where Xiao Zhang is employed exemplifies a broader trend. In their operations, the role of delegated children extends beyond traditional “care work,” which is typically limited to daily caregiving tasks. Their responsibilities encompass navigating the constraints of established systems, collaborating with bureaucracies, bridging gaps in social services, and channeling necessary care resources. Additionally, their work often requires mediating between the client’s wishes and a legal culture that favors familial ties and the rights of biological children.
Xiao Zhang walked alongside Granny Shi on the sidewalk at the nursing home. Xiao Zhang’s signature is required when Granny Shi leaves the facility. Credit: Fei Yuan
The Nuances of “Guan” in Guardianship
What does it mean for elders to sign a contract with a guardian organization or individuals when they cannot depend on their children for support in their later years? Through conversations with elders, I have found that many view guardianship not merely as a legal arrangement but as a promise of security. This suggests a relationship that is fundamentally about care rather than simply fulfilling legal obligations. Elders frequently seek care in the form of “guan”—a term that captures both caretaking and an element of control, indicative of the nuanced interplay between autonomy and dependency. This dual meaning highlights the elders’ need for care models that respect both their autonomy and their comprehensive care needs; moreover, as the duties of guan are customarily performed by children, the term also implies a desire for emotional attachment. Elders who engage in guardianship contracts often pursue authentic care, which implies genuine relationships that extend beyond legal ties and form kin-like connections.
Notably, understandings of care are diverse and context-dependent. For Granny Shi, the guardianship organization serves as a trustworthy work unit (dan wei), reminiscent of the comprehensive welfare systems provided by state enterprises during the socialist era, ensuring care for her needs throughout her life. The guardians, in contrast, are supposed to fulfill a distinctly contractual role—adhering to the duties explicitly outlined in their agreements. In practice, many guardians strive to fulfill the role of “delegated children,” aiming to provide both professional oversight and emotional support for their elderly clients. In fact, guardians like Xiao Zhang view their work as more than merely “a job.” One guardian described it as follows: “Guardianship enables us to forge a close relationship [with the elders], grounded not in blood but in trust, commitment, and oversight.” This perspective is indicative of how most guardians view their roles: they consider themselves both altruistic caregivers engaged in “good deeds” and professional agents, providing a level of “professional care” unmatched by actual family members.
This is a list of the services offered by a social guardian organization. They provide “all-life-course affairs services” that support elderly individuals at various stages of life, from self-independence to post-mortem affairs. Credit: Fei Yuan
Moral Dilemmas and Constraints
The notion of “professionalism” in guardianship, however, invites skepticism. Without clear professional standards, how one performs “genuine care” while maintaining professionalism lacks clear guidance. Such questions keep presenting themselves in practice. Mr. Chen, the founder of a civil organization in the process of transitioning to a guardianship organization, often finds himself facing dilemmas. As the leader of a newly established organization, he is particularly meticulous about avoiding legal disputes and maintaining the organization’s social reputation, especially given its status as a civil organization committed to philanthropy.
During a webinar I attended hosted by a social guardianship organization, a spokesperson highlighted a recent moral quandary: An elderly client collapsed. He had signed an advance directive against any form of medical intervention. Despite this wish and the doctor’s warning about the surgery’s side effects, the guardian still chose to admit the person to the ICU. The spokesperson remarked, “If it were his son, he could decide freely. However, as an organization, we are afraid of being accused of failing to save lives.” This decision highlights the moral complexities encountered by guardians, who, despite having the legal authority to act on behalf of elders, still confront judgments within the prevailing legal culture, especially when making the aforementioned “life mattering” decisions. The guardians need to heed the rights of related kin, including spouses, parents, children, and other relatives to avoid potential charges.
These guardians’ struggles raise profound questions about the nature of good care: should guardians honor the client’s own wishes and adhere to professionalism, or should they perform acts of filiality to comply with social expectations? And how to navigate the rights of biological children or other relatives within the legal framework of China?
Bridging Welfare Gaps and Offering Hope
In summary, I contend that guardians like Xiao Zhang emerge as pivotal figures within the evolving care regime, bridging the substantial gaps created by the transition from the comprehensive Dan Wei system to a market-driven eldercare model. By meeting the urgent demand of care for elders like Granny Shi and numerous older people who age alone, these organizations offer hope to elders in desperate need of guardian service. However, this hope remains tenuous, as the legal status and rights of guardians are often questioned and subordinated to familial rights. The legal framework and prevailing distrust toward non-familial caretakers present significant barriers, inhibiting their capacity to effectively execute wills and to exercise the agency of the elderly client.
The guardians’ efforts to establish professional organizations do more than just tinkering or filling these gaps; they underscore the urgent need to develop new mechanisms that are attuned to the altered dynamics of eldercare. The dilemma of care examined in this article reflects broader questions about the definition of “good care,” raising important questions about whose will should be honored, and how China’s transitional and transforming care regime can be supported by more refined legal regulations for these crucial services.
SEAA section contributing editors Aaron Su and Jieun Cho, and incoming editors Alex Wolff and Yanping Ni, all contributed to this piece.
SEAA-SNU Anthropology 2025 Conference
![night landscape of central Seoul around Mt. Nam-san lit by artificial lights [credit: FREEPIK]](https://seaa.americananthro.org/wp-content/uploads/2024/10/freepik2024seoul--1024x306.jpg)
About the SEAA-in-Asia regional conference: details and Call-for-Panels [current October 4, 2024].
Dedicated website for conference, http://seaasnu2025.com/
SHAPING FUTURES: EAST ASIA AS PRACTICE, July 2025 Conference in Seoul, South Korea
Organizers: Society for East Asian Anthropology (American Anthropological Association) and
Seoul National University Department of Anthropology
Timing and venue: July 14–16, 2025 at Seoul National University, Seoul, South Korea
Submission deadline for proposals: January 15, 2025 with decisions by March 1, 2025
All sessions will take place in person
Registration fee: USD $100 regular and reduced student rate USD $25
Contact us at: snuseaa2025@ g mail dotcom
The Society for East Asian Anthropology (American Anthropological Association) and Seoul National University Department of Anthropology are pleased to announce a joint conference, “Shaping Futures: East Asia as Practice,” to be held in-person at Seoul National University, Seoul, South Korea, on July 14-16, 2025.
This inter-regional collaboration takes the task of shaping futures as a crucial responsibility for anthropologists. In placing that responsibility under the rubric of “East Asia as Practice,” we assume the ongoing intergenerational dynamism that actively creates futures. We place mentoring–both vertical and lateral–as central to the processes and structure of this future-focused conference. We not only have a pre-conference specifically designed by and for graduate students, but also structure the whole conference in a way that encourages intergenerational, interregional conversations. In short, we take “shaping futures” as an assertion, a responsibility, a platform for community, and a call to action. Those futures include overlapping issues of:
● Mentoring relationships
● Transnational ties that bind
● Diasporas and their possibilities
● Interlingual responsibilities
● Political activism and scholarship
● Raceandracism in 21st century East Asian lives
● EastAsian colonialisms, Indigeneities, and (co)ethnic politics
● Migration and the geopolitical dynamics of border-crossing
● Culinary futures: localism, regionalism, globalism
● Pasts and their consumption: cultural heritage, urban renewal, tourism
● Religious transformations and spiritual practices
● Affects, trauma, and healing
● Sexualities, violence, interventions
● Queerfutures
● Declining birth rates, societal aging, and shifting care regimes
● Digital worlds (social media, virtual reality, metaverses, etc.)
● Automation, robots, and AI
● Inter-species futures, human-animal relations, and their ethics
● Environmental sustainability and climate action
● Well-being amidst an era of anxieties
Our list is long as we commit to creating interactive, dialogic spaces of inclusion and collaboration that not only reflect upon scholarship, but place it within critical modes of engagement. Please join us in conversation and community that together constitute “Shaping Futures.”
How Beggars Help Us Understand Public Space in China and Beyond
Society for East Asian Anthropology
By Ryanne Flock
May 28, 2024
Performances of panhandling in Guangzhou teach us about public space in modern Chinese cities and elsewhere.
Guangzhou—also known as Canton—is a city of zuo shengyi, of “doing business.” As one of the oldest trade harbors in the south of China, Guangzhou opened up early when the country’s reform program of 1978 reintroduced the importance of money and markets. As a result, its bustling shopping streets are loud and radiant, with music blaring from the stores and clerks or automated megaphones shouting out the latest offers. Uniqlo, KFC, Metersbonwe—well-established national and international brands—speak of comfortable wealth and guangjie (window shopping) as a way to relax and enjoy life (Figure 1).
Beijing Road is one of Guangzhou’s most-popular shopping streets. The picture is artificially blurred to ensure anonymity. CREDIT: RYANNE FLOCK
The greater the contrast, then, when I observed a scraggy woman asking for alms by crawling in the middle of the Beijing Road Pedestrian Area, the city’s retail center. Barefoot and with rolled-up sleeves, she exhibited her body’s disabilities: no fingers, deformed toes. Amid her stuffed and worn bags stood a crying toddler. A crowd gathered around the heartbreaking scene, and a skirted lady jumped forward to help while the urban management personnel became nervous. Usually, these patrols hired under the umbrella of Chengguan—the bureau in charge of an orderly cityscape—expel beggars from the shopping street. But this time, the officials in their dark-blue uniforms did not intervene. I was intrigued by this scene and its broader implications. How do beggars gain access to public space in Guangzhou through such performances, navigating local governance and social norms?
Scholars often define begging or panhandling (I will use these terms interchangeably) as asking for money or goods in public space. However, I found performances in China more intense and elaborate than those described in the academic literature or encountered during my travels in “Western” cities. I observed various ways of asking for alms in different urban locations for four years (2010–2014) in Guangzhou and talked to people panhandling in the present or the past. I approached beggars as a vulnerable social group, aiming to create situations of trust and free of hierarchies. We met in public places where we generally felt safe while also considering the attention of public security personnel. Most beggars I met responded to Chinese regional disparity and migrated from the deprived countryside to wealthy Guangzhou. Moreover, their capacities for physical work were limited due to age, illness, or disability, and they lacked family and state support. The turnover rate among this group was high during my fieldwork, and I cannot say how many are still in Guangzhou. Their agency, however, teaches us about public space in China and in a modern city. In the following, I will show how panhandling adapts to a changing spatial culture and the local state’s attempts to “beautify” the commons.
In Guangzhou, ways of panhandling differed according to space. There was a strong contrast between religious sites versus areas of commerce, entertainment, and transport. Some beggars slept in areas near temples and churches in the evening, stored their belongings in the bushes, and stayed longer during the day, panhandling but also chatting and relaxing with acquaintances. Visitors to these places of worship gave a few Yuan to most of them. Interestingly, at shopping and bar streets, and other commercial spaces of lively foot traffic, the performances were unusually comprehensive and layered, incorporating sight, sound, and story.
Contrasting with the middle-class environment, beggars stood out with their simple and sometimes worn-out clothes, sad demeanor, and stooped postures. Many exhibited injuries, mutilations, and burned and diseased skin. One day, I saw a healthy-looking man in his mid-30s stripping down to his underpants (Figure 2). He stood silently, his head bowed, his clothes at his feet. The skin expressed his neediness and desperation by renouncing his social “face” (mianzi). Additionally, he laid out a big poster in front of him to tell his story. Later, I realized that many beggars explained their reasons for poverty and panhandling in writing. I saw smaller notes and big declarations arranged with photos, hospital reports, and other official documents. “I suffer from rheumatism, the many years of treatment have not been effective, and I became disabled, for a long time I could not get out of bed, and [the challenges] of daily life are [still] difficult for me to handle.” The author of this piece specified his home village via province and city; others presented their ID or added phone numbers. In most of these scenes, passers-by stopped to read and some put a few Yuan in the beggar’s cup. Andrew Travers argues that begging is a staged “self-destruction” to create a hierarchy which argues: You are better off; you are in the position to help me.
The photograph shows a panhandling man from behind and someone from the audience watching from some distance. The beggar has stripped down to his underpants, put his shoes, jeans, and shirt, in front of his naked feet, and spread a poster before the cloth pile. We cannot read what is written on the poster, but in other cases, beggars often explain why they ask for alms. The beggar exposes his skin, holds his head high, but puts his hands on chest and stomach in a protective posture.
A panhandling man in his 30s in Guangzhou’s city centre. The picture is artificially blurred to ensure anonymity. CREDIT: RYANNE FLOCK
When I met 70-year-old Mr. Song, he too was lying on his stomach, moving on a rolling board. However, he was busy writing calligraphy with a moist brush on the pavement, completing an ever-growing artwork by outlining the characters with colorful chalk. Three years ago, he told me, he was panhandling by waiting for alms with a bowl in his hand. But people insulted him because they could not see his leg disease, and he feared their contempt. Thus, he started street calligraphy, feeling that he would give something back, nurturing his self-esteem. Other panhandlers combined performances of misery with music, singing, or playing an instrument. Referring to Mr. Song’s explanation, we can understand this not only as a strategy to gain more attention and alms but also to deal with the stigma of begging and handling the hierarchy toward the audience. However, his answer also made me think of the “deserving poor”—a ubiquitous discourse in Chinese society—and the words of panhandling Mr. Mo: Only when you see someone’s disability can you be sure a beggar is “real” (and therefore deserving). Could emphasizing physical challenges as part of panhandling performances be a form of empowerment to have a claim on help and even access to public space?
Today’s Chengguan Bureau was established in the late 1990s to create an orderly and “civilized” city inspired by the clean streets of other world metropolises. At the same time, however, the social issues caused by the market transition intensified and urged more “humanist” governance, according to the official jargon. Thus, on the national level, the State Council emphasized that panhandling is not forbidden; instead, those in need should be offered assistance and not be harassed in any way. Yet, on the local level, Guangzhou and other cities issued regulations defining panhandling as an aesthetic disturbance which should be punished and removed from public space. The policy contradictions leave patrols in a legally grey area when approaching beggars.
Chengguan tolerated asking for alms at religious settings. Once in a while, I saw them drive by Guangzhou’s famous Guangxiao Temple, but their patrols were nowhere to be seen most of the time. Instead, they concentrated on areas of commerce, entertainment, and transport. Mostly in groups, by foot or electrical cart, Chengguan personnel moved back and forth within the radius of their responsibility. They expelled beggars from these popular and prestigious areas, sometimes with a frown or harsh words, while most beggars avoided the confrontation. Mr. Song wrote his calligraphy near Beijing Street—not under Chengguan’s immediate gaze, but within a regularly controlled radius. He would panhandle until a patrol shooed him away, he explained to me. Watching the comprehensive performances, I realized that most beggars seemed to make the most of the time given, trying to convey the message of misery and deservingness as fast and efficiently as possible.
Moreover, variations in governance and performance relate to the specific spatial culture grown through a place’s history and social functions, connected to social norms and accepted behavior. If we think of religiosity as a market of transcendent ideas whose members gain self-affirmation through charity, then beggars belong to churches, temples, and mosques. Observing how visitors gave alms almost automatically, I understood that those asking for alms were integral to the ritual of piety and did not need to perform elaborately. However, shopping streets, tourist spots, and metro stations are different: for the Guangzhou city government, they display ideals of modernity and the city’s political and economic success. As this success is contradicted by visible poverty, the number of Chengguan personnel concentrates on those bustling areas. One could argue that panhandling performances adapted to this spatial culture of an entertainment-hungry society as they became themselves a spectacle of sight, sound, and story.
When we encounter ideas of public space—in politics, academia, or the media—the concept is often idealized and defined as open and accessible to allmembers of society. In our everyday lives, however, we recognize that space is structured; it enables, guides, and limits the agency of individuals and groups. Chengguan’s management is one example of how the state can influence the spatial order and access strategies of marginalized groups. Beggars in China develop various performance skills to fit in, be seen, be heard, and convince and deal with differentiated governance. Thus, access to public space is more than being present; the hierarchy of public space raises questions about social status and performance expectations to benefit from the commons and participate in urban society. Public space is a medium of ordering urban society—a characteristic we must acknowledge if we want to understand its future. For whom and how to lower access barriers and hierarchies, then, is another story.
This piece is part of the SEAA series “The Future of the ‘Public’ in East Asia.” Aaron Su and Jieun Cho are the section contributing editors for the Society for East Asian Anthropology. Contact them at jieun.cho@duke.edu and aaronsu@princeton.edu.
Being Global and Chinese on WeChat
Society for East Asian Anthropology
By Xinyu Promio Wang
February 22, 2024
Does using WeChat qualify someone to be “Chinese”?
“So, you are not like a real Chinese . . . I mean, you are just someone who has Chinese heritage, right?” This was what one of my interlocutors, Fangyi, said to me in the middle of our in-person interview after I told her that I do not use WeChat, except for research purposes, as none of my friends or families were on the app. Currently holding a permanent residence visa (永住者) in Japan, Fangyi came to the country six years ago from her hometown, Shanghai, initially as a student. Upon finishing her higher education, she began to work as a medical interpreter, and then later married her Chinese husband, a pharmacist who had acquired Japanese citizenship. After I inquired about the relationship between “not using WeChat” and “not like a real Chinese,” Fangyi explained to me that using the app “is like the Chinese thing. I feel close to home when I’m immersed in this Chinese-language platform while abroad.” For her, it seems like being a “real Chinese” is not simply about having Chinese “heritage,” sharing a Chinese blood tie and celebrating Chinese culture. For her, it is also about “having a constant presence in this Chinese-language environment and sharing your everyday life episodes with families and friends back home so that they can see you, remember you, and recognizing you as one of them, instead of as a bystander.”
Comments like this show how social interactions taking place in digital spaces can be an important means through which Chinese migrants negotiate and represent their senses of identity. As Fangyi indicated, digital media such as WeChat allow many Chinese living overseas to establish a unique public presence in a particularly “Chinese” space. Being seen and visible to her fellow Chinese consequently helps Fanyi not only to maintain her “Chinese roots” but also to acquire senses of being a “real,” somewhat more “authentic” Chinese. However, as I will show, Fangyi’s expression of her “authentic” Chineseness on WeChat as a migrant in Japan is markedly different from, say, that of her friends who use WeChat while living in China. This article aims to nuance the understanding of digital media’s impact on how Chinese migrants see and represent themselves. A closer look at the way people like Fangyi maintain their public presence on WeChat tells us how the use of digital media itself is shaped by desires for mobility as a privilege.
Following the launch of the app Weixin, targeted for mainland China, in January 2011, WeChat went to market in August 2012, created by Chinese tech company Tencent. WeChat and Weixin provide essentially identical functions, such as personal and group messaging, “Moments” (similar to Facebook’s “Wall” function), and news subscriptions. The difference is that Weixin is designated for users whose address is physically registered to China. Free of such territorial restriction, WeChat soon became one of the most popular apps within Chinese-language-speaking publics. Sometimes it is even considered the most important—if not the only—channel through which Chinese migrants and diaspora can maintain their emotional and familial ties with the mainland while living abroad.
While WeChat has some similarities with sites like Facebook and Twitter, it also has some differences. For example, content that users share on WeChat, such as their profiles and posts, are inaccessible to others who are not on the user’s contact list. In this sense, WeChat has a unique social logic that prefers and promotes one’s existing social relationships, rather than encouraging users to discover new connections. This closedness by design explains how Fangyi equates using WeChat with constructing a “constant presence” among her Chinese circles. Keeping up on WeChat gives her a sense that she is being recognized by her close ones as “one of them.” Being constantly present in this setting by, for example, sending out messages and updating information does not simply indicate wanting to be seen by and communicate with anonymous others, as is often taken to be a feature of exchanges on digital platforms. Rather, following the embedded logic of closed publicity, it is driven by the desire to virtually stay close to “us” among families and friends back “home.”
To this point of “staying close to us,” Fangyi stressed the importance of individual messages in managing her diasporic life. She said, “No matter how many years I’ve stayed in this country [Japan], chatting with family is an irreplaceable part of my life. It gives me a sense of intimacy and makes me feel warm.” This perspective is shared by my other interlocutors, who often emphasized that interactions in the closed social spheres on WeChat made them feel connected to “home”—in both senses, as families and as homeland. Another interlocutor, Youan, echoed this point in an interview. Despite having lived in Japan for more than three decades, he said, “Chatting with friends and relatives on WeChat is the most intuitive way to feel my Chinese [roots], like how our culture is always family-oriented, and how we try to keep our friends close [to us].”
However, interestingly, “staying close to us” does not necessarily mean that Chinese migrants like Fangyi wish to identify themselves with this “us.” For example, her “Moments” show how she tries to manage senses of both intimacy and distance as she constructs her migrant self in specific ways. On the one hand, she frequently shares episodes from her everyday life in Japan, posting several photos coupled with short writings two to three times a day. On the other hand, the majority of these posts are written either entirely in Japanese or in a combination of simplified Chinese and Japanese, being partially or completely inaccessible to those who do not understand Japanese. In fact, when I counted, out of 154 “moments” posts she created over three months, only 19 of them were fully written in simplified Chinese.
A screenshot of a man in traditional Japanese clothing talking to a rabbit; the text message below describes Fangyi’s thoughts of “loving the country you reside in.”
Screenshot of one of Fangyi’s “Moments” posts. (A screenshot of a man in traditional Japanese clothing talking to a rabbit; the text message below describes Fangyi’s thoughts of “loving the country you reside in.”) CREDIT: AUTHOR
About her Japanese posts on WeChat, Fangyi confirmed to me that most of her WeChat contacts cannot read Japanese and therefore wouldn’t be able to understand her posts. Moreover, when Fangyi wants to communicate in Japanese, she uses a separate app called LINE, arguably the most popular messaging app in Japan. When I asked her why Japanese is her main language in cultivating her online presence on WeChat, she said,
“As someone who lives in Japan, I feel naturally I should write things in Japanese because I’m part of its culture . . . and so my friends know that I’m abroad. I may not necessarily enjoy a better material life here in Tokyo compared to my friends in Shanghai. But we are different. (I want to show that) I’m not your typical, average Chinese who has never seen a different world [outside China].”
As with Fangyi, digital media platforms can inspire a complex range of self-positionings and identifications among its users. In contrast to her private messages, Fangyi’s language choice in the public realm of “moments” seems more like a strategy to distinguish herself from, instead of aligning herself with, those “typical” Chinese who are “at home.” In this sense, her transnational mobility and foreign-language skills acquired through that position serve as capital that she can leverage to perform and claim her identity to be, say, an “above-average” Chinese.
A screenshot of a picture that consists of two photos. The one on the left shows the back side of Fangyi’s head, and the one on the right is a photo of cherry blossom; the Japanese text message below translates as “both the cherry blossom and my hair wither away.”
Screenshot of one of Fangyi’s “Moments” posts. (A screenshot of a picture that consists of two photos. The one on the left shows the back side of Fangyi’s head, and the one on the right is a photo of cherry blossom; the Japanese text message below translates as “both the cherry blossom and my hair wither away.”) CREDIT: AUTHOR
In my digital ethnographic observation, I found that many Chinese migrants tend to manage their online presence in ways that are similar to Fangyi’s. Despite the fact that WeChat is a platform designated for Chinese-speaking audiences, I frequently see Chinese migrants using languages such as Korean, French, German, and Italian in relation to their respective migratory experiences. In this way, whether consciously or unconsciously, their privilege of international mobility becomes leverage that allows them to de-homogenize a uniform Chinese identity and to allude to the difference between themselves and their nonmigrant counterparts in the publicly visible digital sphere. While understanding migrants’ identities as a fluid and multilayered concept is not new, this illuminates that such multilayeredness is partially inspired by their engagement with multipublic digital spaces. In this sense, their experiences invite us to think about the way that our own identities and relationships with our home(lands) are now constructed in relation to digital connectivity and technological affordance.
This piece is part of the SEAA series “The Future of the ‘Public’ in East Asia.” Aaron Su and Jieun Cho are the section contributing editors for the Society for East Asian Anthropology. Contact them at jieun.cho@duke.edu and aaronsu@princeton.edu.
What Can White Paper Do?
Society for East Asian Anthropology
Mengzhu An, Jing Wang & Wei Ye
January 9, 2024
During #A4Revolution, protestors used blank white paper to express their voices while remaining in the shadows of state censorship and surveillance.
On November 26, 2022, a college student in black clothes, black hat, and black mask was standing on campus, holding aloft a blank piece of white paper. A middle-aged man walked up to them and ripped away the paper from their hands.
“Why did you take away their white paper?”
“What threat does the white paper pose?”
The questions of angry observers remained unanswered. Even after the paper was taken away, the young Chinese protestor stayed in their posture, holding nothing in their hands.
This scene at Nanjing Media College, in Nanjing, China, was captured in a video clip that went viral online. The determined image of a young Chinese person holding a blank white paper was so powerful that it became an icon in what was the then-emerging #A4Revolution protests. In small and large cities across China, people stood in the cold night air holding up sheets of white paper, silently demanding freedom from the extreme levels of surveillance and control enacted under the country’s zero-COVID policies. The protests against such policies that broke out around the world have come to be considered as the most influential public defiance in China since the 1989 Tiananmen Square crackdown. What can a blank piece of paper do? As this article shows, blank white paper presents both strategic opportunities and ambiguities for social movements in China. In the case of #A4Revolution, protestors used blank white paper to express their voices while remaining in the shadows of state censorship and surveillance.
IMAGE CREDIT: NONENULLNAN
IMAGE CAPTION: The Elephant
IMAGE DESCRIPTION: A grayscale image showing a person with a baseball cap, holding an A4 paper, facing a large elephant across a diagonal divide of light and shadow. Hashtags #白纸革命 and #A4Revolution are written below.
Why White Paper
White paper originated from local protests that were triggered by a tragic fire at a Uyghur-majority residential building in Ürümqi on November 24, 2022, killing at least 10 people living there. Some blamed the incident on the government’s zero-COVID restrictions, where the discovery of one COVID case could lead to the grounding of all residents until the neighborhood became free of COVID again. Such long-term lockdowns severely limited residents’ capacity to respond to emergencies, such as the fire in Ürümqi. But people stressed that this disaster could have happened anywhere, not just in Ürümqi. One Weibo user posted, “After waiting for more than a hundred days, what we got was not freedom, but a raging fire and thick smoke.” In another viral post, Ürümqi officials’ irresponsible explanation of the fire was sarcastically rephrased as “The road is open, they don’t run,” implying that residents were at fault for not being able to escape the disaster. Such criticism against government officials was met with swift censorship. The accumulated resentment and anger were partly why people began to appear on the streets across China with blank paper on the evening of November 25, 2022.
In contemporary China, people have long strategized means of expression to deal with government censorship and surveillance. Netizens learn to maintain anonymity and adapt to the ever-changing codewords and techniques to discuss “sensitive” topics online. Such tactics of playing hide-and-seek with Big Brother were also evident in the protests against zero-COVID policies. The #A4Revolution was particularly “ghostly,” in Jacques Derrida’s terms, as it engaged in invoking the “visibility of the invisible” and “tangible intangibility.” Protests painted slogans in unmonitored public restrooms, posted flyers on telecom poles in the dead of night, communicated through anonymized channels, and stayed masked at events to avoid identification.
But this did not mean that they were immune to surveillance. The omnipresence of state censorship and violence is equally spectral. As Derrida says, “We do not see who looks at us.” In the video clip referenced at the beginning of this article, the white paper was eventually taken away without explanation from a silent protestor by a street-level bureaucrat who also remained silent. Political dissent is met by arbitrary crackdown through vague charges such as “picking quarrels and provoking troubles” (xunxing zishi) or a “pocket crime” (koudai zui). Though existing before the pandemic, such control and violence have been greatly intensified and normalized under zero-COVID policies. Always in danger, white paper protestors consciously used anonymity and silence as a counter-strategy. Not a single word was written on the countless sheets of white paper, but their silence loudly defied state tools of repression.
Protesting with provocative silence, like holding a white paper, is not unique to China. Following the invasion of Ukraine in February 2022, Russian streets were swept by antiwar protests. In March 2022, the Russian Federation parliament passed a law that criminalizes the spread of “fake information” about the Russian army and forbids referring to the invasion as war. The protestors with “no to war” signs became targets for arrests based on this law. As with the #A4Revolution, Russians came up with creative ways to express dissent against their authoritarian government. One woman, for example, held a paper saying dva slova (two words), gesturing to the forbidden slogan net voine (no to war), and other demonstrators just held blank paper, like their Chinese counterparts. These show what white paper can do as a symbol of civil resistance against authoritarian regimes around the world.
A four-panel comic. The first panel draws a huge red two-dimensional code on the floor, which is erased by a person in the second panel. The third panel leaves only the person standing on the floor. In the fourth panel, many people walk around with red traces of the code on them, symbolizing the lasting impact of the trauma caused by the zero-COVID policies that cannot be erased. This four-panel comic illustrates how even though the government may have tried to erase the visible signs of violence, the psychological scars on those who experienced it cannot be easily healed.
IMAGE CREDIT: NONENULLNAN
IMAGE CAPTION: luminol
IMAGE DESCRIPTION: A four-panel comic. The first panel draws a huge red two-dimensional code on the floor, which is erased by a person in the second panel. The third panel leaves only the person standing on the floor. In the fourth panel, many people walk around with red traces of the code on them, symbolizing the lasting impact of the trauma caused by the zero-COVID policies that cannot be erased. This four-panel comic illustrates how even though the government may have tried to erase the visible signs of violence, the psychological scars on those who experienced it cannot be easily healed.
From Ghostly Public to Fragmented Solidarity
Both in China and overseas, protestors shared a common challenge of not knowing what to chant. Without a singular rallying cry, blank white paper could be used to obscure dissonant claims or internal rivalries within the movement. While some simply held up blank sheets of paper in silence, others cursed Xi Jinping and called for his removal. Fearing that such explicit words would give the police an excuse to enact suppression, many insisted on a more practical demand to end the zero-COVID policies and return to a normal life. Meanwhile, the national anthem sounded at some of the rallies, which was intended to strengthen solidarity, but also provoked mixed reactions. Some non-mainlanders who originally came to show support left the rally as soon as they heard it out of distaste for such nationalistic symbols. Beyond holding up blank paper, it was a challenge for protesters from different groups to identify any other code or symbol upon which to build connections.
The disputes over symbols, slogans, and language on-site and after the protests reflected the varied agendas within the #A4Revolution. This revolution became a reincarnation of public grievances and a gathering of revenants, including the suppressed protestors of Hong Kong’s anti-extradition movement, the Uyghurs and Tibetan victims of anti-religious policies, and feminists and young dissidents in exile. The mishmash of revenants infused the superficial solidarity with implicit fragility, which reflects the precarious conditions of civil disobedience and the limits of public protest under authoritarian rule.
Although the vast majority of the dead and injured in the fire that triggered the #A4 Revolution were Uyghurs, some of whose families had been imprisoned in the government-run “re-education camps” or exiled overseas, the protests everywhere were dominated by Chinese-chanted slogans centered on the demands of urban Han people. One anonymous Han Chinese woman criticized this for overlooking the structural violence imposed on the Uyghur community by the Chinese state. At the vigils in two cities in the United States that some of us attended, young women spoke out against the misogynistic words that some male participants used to curse Xi Jinping and the CCP. They preferred chanting slogans such as “End Patriarchy” and “End Police Violence.” However, when such gendered frictions and disparities were pointed out in online group chats after the rally, they were dismissed by some people as “overly sensitive.” Ironically, while many women’s complaints were met with contempt, they made up the majority of those arrested and unexpectedly became the iconic symbol of this revolution.
After the Revolution
In December 2022, shortly after the rise of the #A4Revolution, the Chinese government rolled back its stringent zero-COVID policies. But it is debatable whether this was a gesture of surrender to the white paper protesters. In the aftermath of the #A4Revolution, the police continued to arrest those who were presumed to have participated in the #A4Revolution. Several female participants in vigils in Beijing were detained for about four months. The ghostly publics of the A4 movements and their temporary solidarity seemed to have dissipated, or so we thought—until a female protester suggested otherwise. With difficulty, she delivered a message from the detention center:
“Even though they made us feel like we were betraying each other during the interrogation, I still believe that we are in solidarity. On New Year’s Eve, A, B and I [all arrested protestors] had a concert through the doors of the prison, singing songs together . . . and we will join you again, start preparing.”
This message has circulated anonymously on encrypted social media platforms. It has inspired a renewed belief in the significance of resistance and the potential for solidarity. “A specter is always a revenant,” and the ghostly publics of the A4 movements will continue to haunt the future.
Some participants of the White Paper Movements made cards in solidarity with the girls in detention, with their faces drawn and names written, as well as the words “Release Our Friends.”
CREDIT: @ANOSARTOR
IMAGE CAPTION: Girls in detention.
IMAGE DESCRIPTION: Some participants of the White Paper Movements made cards in solidarity with the girls in detention, with their faces drawn and names written, as well as the words “Release Our Friends.”
Acknowledgments
We want to thank Anastasiya Miazhevich for sharing her observation of the anti-war protests in Russia as a comparative perspective. We also want to thank the two editors Jieun Cho and Aaron Su for their generous feedback and editorial work.
Jieun Cho and Aaron Su are contributing editors for the SEAA section in Anthropology News. This piece is part of the SEAA series “The Future of the ‘Public’ in East Asia.” Contact them at jieun.cho@duke.edu and aaronsu@princeton.edu.
Youth, Disaster, and Collective Mourning in South Korea
Society for East Asian Anthropology
By Shinjung Nam
October 12, 2023
Following the 2022 Halloween crush disaster in Seoul, South Koreans gather to remember the young victims and the nation’s history of human-made disasters and formations of publics in furious mourning.
On the eve of December 16, 2022, thousands of people filled the main street of Itaewon, a former US camp town in Seoul, South Korea. My husband and I were standing among the assembled, feeling the temperature drop far below the freezing point as gusts of wind rushed through town. The town has a long history of foreign military occupation, transnational exchange of goods and fashion, and festivities that, like Halloween, inspire creative self-expression in public and a sense of belonging among young people. We were gathered in memory of those who were crushed to death on the night of October 29, 2022, in a narrow alley that shoots off of the one on which we were standing; 152 were injured, 159 died, including a teenage survivor who committed suicide. Most of the crowd crush victims were in their teens and 20s, out with friends on Halloween weekend. December 16 marked the 49th day of mourning for the lives lost—a day believed to be the last day spent by the spirits of the dead among the living before their final departure to the yonder. Throughout the history of contemporary South Korea, collective mourning in the streets for the wrongful deaths of youths has been central to the social and spatial materialization of publics, that is, assemblies of stranger-others woken to the reality of their common fate as citizens subject to state violence. Earlier on the morning of December 16, select family members of the crush victims had held a memorial service at a Buddhist temple, just north of Itaewon. The ritual had come to an end by burning the name tags of the lost in a metal pit amid the sounds of cries, bells, and monks chanting. About 300 of the family members then relocated to Itaewon, wrapped in red scarves to symbolize the blood of their kin to continue the memorial service among thousands of other citizens in the main street of the town. When the clock hit 6:34 p.m.—the officially recorded time of the first emergency call made to the local police on the eve of the disaster warning of possible crush deaths—the crowd closed their eyes, lowering their heads in silence. On the screen set up at the head of the assembly appeared the words of the caller, her urgent voice ringing through town, followed by the victims’ names, their portraits, and messages of longing from their families and friends.
Up until the 49th day of mourning, people had to gather for weeks before a faceless and nameless altar set up by the South Korean government in front of the city hall in Seoul. The current administration, under Yoon Suk-Yeol, withheld the backgrounds of the victims from being publicized in the news media, making it difficult for the bereaved families to contact one another. The initial footage of the victims—lying side by side on the streets of Itaewon covered in white sheets—had evoked in me much older photos from the 1980s of youths murdered by the state under military dictatorship. While interrogation, torture, and murder of youth protesters by police had become a thing of the past in South Korea, the mass loss of young people continues as they fall victim to human-made disasters in the most ordinary spaces in their everyday lives.
But the Itaewon crush also brought back memories of another recent disaster that took hundreds of lives of young people. In mid-April 2014, a ferry capsized near the southwest coast of South Korea, drowning 304 people, including 250 high school students on a field trip. As the search and rescue was prolonged amid a lack of government response, the entire country watched innocent youths disappear into the abyss, broadcast real-time on television and on YouTube. Realizing how easily the lives of youths could be forsaken in a neoliberal democracy, without guns or tear gas, people gathered across the country to mourn for the victims who had been left to die at sea. In the aftermath of the 2022 crush disaster, publics formed again to collectively remember the victims’ names, faces, and histories.
A large crowd of citizens and the family members of young crush disaster victims gather in front of the Seoul City Hall building to set up an altar for the dead on the 100th day of mourning.
The family members and their supporters stand on guard as the police readies to remove the altar from the site any moment. (CREDIT: SHINJUNG NAM)
South Koreans’ collective mourning for the young victims of state violence and human-made disasters has been long shaped by their experience of becoming witnesses. Mourners would stand in the streets, hear the names of the victims called out loud, one after the other, see their faces enlarged on screens, and shout, “The state was absent!” The assembled would bear witness to not only the fact that the lives taken away had once fully existed but also the very experience of collective mourning. Such an experience of becoming witnesses is crucial to revitalizing a public that embraces the pain of others and its roots in their shared fate of being citizens responsible for the democratically elected government and its actions.
The South Korean public’s rage has only intensified since their recognition of the government’s undeniable role in the unfolding of the crush disaster. The Yoon administration had set the large gathering of the youths at Itaewon on the weekend of Halloween celebration as a stage for what. Yoon had called “a war on drugs,” replacing the crowd control police, once regularly dispatched to the town on such festive occasions, with police officers dressed in plainclothes for their undercover operation against drug trafficking and drug use. This “war on drugs” was engineered as a key strategy for empowering the authority of the former prosecutor-turned-politicians now heading the government and for legitimating their monopoly on executive powers. And the strategy has pivoted around the criminalization of innocent youths and their occupation of the street space.
Mourning to Remember
Now occupying the main street of Itaewon that had once invited young visitors was a public in furious mourning. “Memory has such strength,” said Ms. Choi Sun-Hwa, mother of one of the high school students lost at sea in 2014, as she stood on stage on December 16, 2022, wearing a yellow scarf around her neck, facing the family members of the crush victims who sat in the audience wrapped in red scarves. For months, makeshift spaces for commemorating the ferry disaster victims had filled public spaces across South Korean cities with yellow memorabilia symbolizing the youths left to drown just when their lives were about to bloom like the forsythia of spring (Kim 2018). The main street of Itaewon now cried red and yellow.
Joined by the choir group formed in memory of the ferry disaster victims, Ms. Choi began to sing “We Won’t Forget,” promising so to the victims of the crush disaster.
We will remember, surely and everything, so not one of you feels alone.
Such were the words of promise that had brought hundreds of thousands out into the streets, awakening a public powerful enough to charge the country’s legislative bodies with an exigent sense of duty to push through the country’s first ever impeachment process in 2017. The successful impeachment of President Park Kun-Hae (2013–2017) did not stop people from remembering the loss and their duty to remember. I still regularly spot yellow stickers on the backs of people’s cellphones or yellow ribbons hanging on people’s backpacks when traveling on public transportation. Ms. Kim Sunny, whom I have known for years, is no exception.
An assortment of yellow memorabilia is laid out on a white desktop—from simple ribbon-shaped pendants to round badges of varying sizes, on all of which are written, “We are sorry, We won’t forget you.”
These memorabilia belong to Ms. Sunny Kim, a long-time interviewee of the author, who has matched each of them with one of her daily objects, including her handbags and her cellphone case. (CREDIT: MS. SUNNY KIM)
“The song was specifically written for the ferry disaster victims in 2014 by Yoon Min-Suk,” my husband whispered into my ear. He remembered Yoon Min-Suk from his college days in the mid-1980s, when the artist first started writing songs for an underground cultural movement organized as part of the student activism against the military dictatorship. The song’s promise to remember has now been stretched to address the victims of the crush disaster. Those who were young adults in the tumultuous years of the 1980s, including Ms. Kim and my husband, came of age by bearing witness to the murders of youths under the military dictatorship (Lee 2009). Adopted new roles as parents, this generation now sees their children living in an era of the state’s dereliction and abuse of power. Publics in South Korea are constituted through this chain of collective mourning, where memories of the wrongfully dead youths get interwoven across generations through colorful mantras, objects, shapes, and lyrics. This mode of coexistence has persisted against and through times of collective upheavals. Their memories of the victims and of mourning together while embodying a public resistant to forgetting and forsaking the country’s youth dwell in the most ordinary spaces, shapes, and sounds—from all things yellow and red, to the very word “memory”—beyond the spectacular moments of such a public’s materialization in space.
Bouquets of fading white and yellow chrysanthemums and a poster biding its readers to remember the young victims line up the wall along one side of the alley.
In the photograph taken on the 49th day of mourning, the poster reads, “Please, remember us.” (CREDIT: SHINJUNG NAM)
Shinjung Nam is a postdoctoral fellow at the Research Center for Liberal Arts & Basic Education at Sungkyunkwan University. She received her PhD in anthropology from Princeton University.
Nam, Shinjung. 2023. “Youth, Disaster, and Collective Mourning in South Korea.” Anthropology News website, December 12, 2023.
Copyright [2023] American Anthropological Association
We’re Queer, We’re (Not) Here
Society for East Asian Anthropology
By Alex Wolff
October 24, 2023
Queer activism often includes public visibility. But everyday surveillance and economic risk complicate LGBTQ+ politics in South Korea.
Author’s note: All the names in this piece are pseudonyms and locations have been withheld.
In 2021, I attended a protest held in a bustling shopping district near a local university in South Korea. It was organized by LGBTQ+ student groups and a regional LGBTQ+ advocacy group supported by Korea’s progressive party, Jeong-uidang, to raise public consciousness of LGBTQ+ Koreans’ presence in everyday life and the need for an anti-discrimination law. Some organizers held placards bearing phrases like “The youth want a comprehensive anti-discrimination law!” Others marched the streets, wrapping LGBTQ+ flags around their bodies like capes. We took photos and videos and later uploaded them on social media with #WeAreHere and #StopDiscrimination. The protesters, largely in their twenties, chanted, “We are here!” (우리는 여기 있다!), a phrase often repeated in queer activism in South Korea. To me, it sounded like saying, “We exist!”
But beyond the celebratory colors and phrases, this event was carefully planned and executed to manage the risks activism posed for each protester. The organizers made sure that we recorded ourselves during the protest in case we were refused entry into stores or harassed because of our outfits. Protesters also hid their faces with rainbow-patterned surgical masks during the march. When uploading the recorded footage and photos later online, they censored participants’ faces and altered their voices for anonymity. These measures were taken in response to a well-founded fear of being “outed,” both online and off, which could ultimately cost their social connections and chances for employment.
LGBTQ+ Koreans build politics between a desire for collective visibility and individual invisibility even as the possibility of being “outed” haunts their public and private lives. By selectively concealing and revealing their identities and intentions to others, queer and trans young adults manage to be with and keep a distance from the largely heteronormative public.
Image Credit: JEONG-EUIDANG COMMISSION FOR SEXUAL AND GENDER MINORITIES & SOLIDARITY FOR THE ENACTMENT OF THE ANTI-DISCRIMINATION LAW
Image Caption: Undisclosed city, South Korea. Protest for a national anti-discrimination law and awareness of LGBTQ+ Koreans in 2021.
Image Description: A group of 14 people standing in a public park on a rainy day, waving “hello” at the camera. They are wearing rainbow flags like capes, rainbow surgical masks, and holding umbrellas. Their faces are censored with a digital mosaic pattern.
Queer life under a heteronormative gaze
Following student activism that helped bring about Korea’s shift from a military dictatorship to a parliamentary democracy in 1987, LGBTQ+ student groups flourished at top universities. Yet compared to the youths who risked their lives to participate in democratization, contemporary Korean young adults are often portrayed as risk-averse, self-interested, and generally indifferent to politics because of economic pressures.
Since economic liberalization following the Asian financial crisis (1997–1998), irregular employment with lower job security, benefits, and income became normalized in South Korea. The brunt of these transformations has disproportionately affected those in their twenties and thirties. A recent report suggests that nearly 40 percent of those in their twenties depend on parents for primary financial support, and over half of unmarried people in their thirties live with their parents.
Yet this narrative of depoliticization is contradicted by young adults’ key role in activism related to the 2014 Sewol Ferry disaster and mass uprisings against government corruption in 2016–2017. Though often unrecognized in public discourse, LGBTQ+ student groups have also been instrumental in the recent groundswell of youth activism in Korea. Over the past decades, queer and trans students have worked to promote anti-discrimination, legislative reform, and destigmatization. Their activities significantly expanded in the mid-2000s, creating groups at more than seventy universities and even cross-university organizations.
Image Credit: JEONG-EUIDANG COMMISSION FOR SEXUAL AND GENDER MINORITIES & SOLIDARITY FOR THE ENACTMENT OF THE ANTI-DISCRIMINATION LAW
Image Caption: Flier for the 2021 anti-discrimination protest. The translated text reads, “Gender and Sexual Minorities are nowhere to be found. But we’re everywhere without a doubt. So now we’re going to show you. We are here now.”
Image Description: Protest poster for a LGBTQ+ activism event. Depicts a stylized street with rainbow flags and the message is depicted in a handwritten font in Korean.
Still, as was evident in the protest I attended, students participating in LGBTQ+ activism frequently expressed anxiety over potential harassment and the long-ter